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Geet Ramayan : ウィキペディア英語版
Geet Ramayan

''Geet Ramayan'' ((マラーティー語:गीत रामायण), (英語:''The Ramayana in Songs'')) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the ''Ramayana''. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, ''Geet Ramayan'' was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of ''Ramayana''.
The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic ''Ramayana'', Madgulkar chose a different narrative format and was praised for the lyrics, and was called ''Ādhunik Valmiki'' (the modern Valmiki). The ''Geet Ramayan'' is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series.
The series showcased a total of 32 various characters from ''Ramayana''. Rama (avatar of Vishnu and hero of the ''Ramayana'') being the lead character of the series was given maximum number of songs (10), followed by eight songs for Sita (Rama's wife and avatar of the Hindu goddess Lakshmi). Madgulkar expressed their various moods, ranging from their divinity to the human weaknesses. Incidentally, the central antagonist of the ''Ramayana'' and ''Geet Ramayan'', the demon-king Ravana, was not given any song. The series is narrated by Kusha and Lava, twin sons of Rama and Sita, and the writer of ''Ramayana'' (Valmiki) was also given one song in the series.
With increasing popularity since its release, ''Geet Ramayan'' has been translated into nine other languages: five Hindi translations and one each in Bengali, English, Gujarati, Kannada, Konkani, Sanskrit, Sindhi and Telugu. It has also been transliterated into Braille.
==Concept==

''Geet Ramayan'' was conceptualized in 1955, four years before the introduction of television in India in 1959. During the early days of All India Radio, Pune (also known as ''Aakashwani Pune''), station director Sitakant Lad wanted to begin a radio programme which would be entertaining and provide moral education. He hence outlined his plan to poet and writer G. D. Madgulkar (popularly known as "Ga-Di-Ma"). Since the ''Ramayana'' (written by Valmiki) is an Indian epic, Lad and Madgulkar came up with an idea of a version in singable verse. Madgulkar accepted the challenge, enlisting his music-director friend Sudhir Phadke (popularly known as "Babuji") for the collaboration.
The team of Madgulkar and Phadke would present a new song every week for a year. Every song would be aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 am and 9:00 am IST. The programme was initially planned for a year (with 52 songs), but 1955 in the Hindu calendar had an extra month (Adhikmās); therefore, four songs were added to extend the series to a total of fifty-six. Apart from the number of songs, Madgulkar and Phadke left music, lyrics and choice of singers ''ad libitum''. Madgulkar was given artistic liberty for the choice of the meters for the song, execution of the story line, and the message he could convey through it.
Initially, the programme was scheduled to begin on the occasion of Gudi Padwa, beginning of the New year according to the lunisolar Hindu calendar but later finalized to be Rama Navami, traditional birthday of Rama. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955 at 8:45 am IST. Vidya Madgulkar, the poet's wife, recalled in an interview that Madgulkar wrote the first song and gave it to Phadke the day before the recording; however, Phadke lost the lyrics. With the broadcast already scheduled, station director Sitakant Lad requested Madgulkar to re-write the song which was readily declined by an angered poet. Lad then decided to lock the poet in one of recording rooms equipped with all the required writing material and agreed to unlock the door only when Madgulkar is ready with the lyrics. Madgulkar then rewrote the lyrics from memory in fifteen minutes so Phadke could compose the music.

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